Monday, July 20, 2009

Missy's Report from RWA National!



Missy here! I'm home from RWA National and thought I'd share some photos and also my picks for best workshops I attended. And since Blogger doesn't like me, I have a feeling all my photos will be off from the descriptions of them. So please know I at least tried to label them correctly. :)


First off, Danica Favorite (left) and I met up at the airport and shared a cab to the gorgeous Marriott Wardman Park in Washington, D.C.



This is a photo of the older part of the hotel. There were amazing gardens all around. And also a wonderful neighborhood nearby that had lots of fun restaurants with outside tables and patios. I think I ate 5 meals there! Debby said she was going to pack up the fun neighborhood and take it home with her. :)


And the next photo was an exciting moment. A photo and autograph opp with Janet Evanovich! She gave a fun opening session speech. It seems she's probably as fun in person as you'd expect.




And now just some photos with all my great writer friends!


First, Golden Heart finalist, Cara Slaughter. Then Debby and Janet dancing at the amazing Harlequin 60th Anniversary celebration.













In the next, I'm posing with Love Inspired authors Stephanie Newton (center) and Dana Corbit at the Awards Ceremony reception. The group photo is (from L to R) Kit Wilkinson, me, Janet, Debby and Irene Hannon at the HQ party.




I also had a few sight-seeing photos to show you. Janet and her hubby were kind enough to let me tag along the first morning there. We visited the Capitol, and even had an amazing tour guide who slipped us some tickets to visit the Senate Gallery. It was a glorious day as you can see in the photo.





The last two are of the Library of Congress. It was, well... just check the photos. I was nearly speechless. And even more so when I got to view the Gutenberg Bible.






That ends the photo tour. I'm sure others from the conference have a lot more photos. But I wanted to share a few highlights for me.



THE WORKSHOPS!

I know some of you are interested in purchasing CD's or downloading recorded workshops. I have to say my very favorite was Donald Maass's class based on his new book, The Fire in Fiction. Wow. It was an amazing class for me. Interactive. And I got some great ideas for my story!


Others I got a lot out of include:

Emotion: The Heart of the Novel by Brenda Novak

The Fifteen-minute Synopsis by Jessica Faust and Sharon Page. (The handout is supposedly great, too, if you could order the handouts from RWA.)

Under Their Skin by Robin Wells.

Tina put a link to Bill Stephens Production on the weekend update. So if you're interested in checking out the workshops, go there. This year, they're offering an option to download individual workshops for $8 or $12 each.

It was wonderful to see some our Seeker blog friends in D.C.!! It was especially nice to have them come say hi at the book signing. So thank you, ladies!

Now, finally, I'm off to my very own bed and my very own pillow... ahhhh....

Saturday, July 18, 2009

Seekerville Sticky-Note Weekend

Listen Up! Lots of random stuff to share this weekend. I hardly know where to begin.


This is Golden Heart and RITA awards gala event night!

Cheers going up for the friends of Seekerville (Anne Barton, Jaqui Jacobi, Anne Marie Becker, Cindi Myers, Susan May Warren, Robin Lee Hatcher, Karen White, Judy Duarte and and our very own Cara Slaughter!

Here is a complete list of the RITA and GH finalists! Check the site often late Saturday evening for the list of winners.

If you can't be at RWA Nationals here's a site that tracks everyone who is. They mentioned the Seekers on Thursday.

Workshop handouts are available for download at the RWA site and the conference audios recordings will be available after the conference at Bill Stephens Productions.



Congratulations to Robyn, who correctly guessed four of the five locations of the photos in Sandra Leesmith's Wednesday post. She will receive a copy of Julie Lessman's, A Passion Redeemed and a copy of Sandra's book, God's Spirit Within Me.



Next Week In Seekerville

Monday: Fresh off the RWA Nationals circuit, Seeker Missy Tippens, will be posting today.

Tuesday:Love Inspired author, Cheryl Wyatt on Ramping Tension.

Wednesday: Glynna Kaye, Love Inspired debut author is up with, The Princess Who Understood Magic.

Thursday: Golden Heart finalist, Seeker Cara Lynn James shares today.

Friday: Seekerville welcomes back Barbour author, Kaye Dacus. (Check out her site, she has some great IRCS photos)






Coming soon to Seekerville....


July 30, Dorchester Western Historicals, author, Caroline Fyffe is here with a fun post.

August 5, It's Jane Austen's number 1 fan, Melanie Dickerson.

August 7, Seekerville welcomes April Irwin.

August 14, Tammy Barley, Whitaker House author blogs.

September 2, Dorchester debut author, and Starbucks aficionado, Marilyn Brant will be with us.

September 18, LIVE FROM ACFW it's Seekerville!

September 25, Our guest is Love Inspired Historical author, Winnie Griggs.

September 30, Cool Beans! NavPress author Erynn Mangum will be here.






Seeker Sightings

The Camy Tang, Deadly Intent Blog Tour schedule is up!

7/20-7/21 Camy is discussing Asian food—and the Asian food in Deadly Intent—on the blog of Christy Award-finalist Tosca Lee.

7/20 Love Inspired and Avon Inspire author Lyn Cote is featuring Deadly Intent on her blog.

7/21 Check out Tina’s blog for the answer to who Devon’s character is loosely based on.

7/22 On historical romance author M.L. Tyndall’s blog, Camy is blogging about how her publication journey has impacted my faith in God.

7/22 Lyn Cote is posting a recipe of one of Camy's favorite foods from Deadly Intent, and the story behind it.

7/23 Camy is on the F.A.I.T.H. blog where she answers how the spa got the name Joy Luck Life.

7/24 Camy is on the blog of romantic suspense author Robin Caroll with an interview.

7/24 An excerpt of Deadly Intent is running this week on the Chapter-a-Week loop.

7/25 Camy is at Prairie Chicks Write Romance talking about how she gets by with a little help from my friends.




July 19-25:

Interview and Book Giveaway (winner's choice of one of the books in The Daughters of Boston series) on Dawn Kinzer's blog, From Dawn Til Dusk.


BOOK SIGNINGS:

Saturday, July 25, 11:00 AM TO 1:00 PM:

Book Signing at Paducah LifeWay Christian Store
Kentucky Oaks Plaza, 3480 James-Sanders Boulevard
Paducah, KY42001

Saturday, July 25, 3:00 to 5:00 PM:

Reading/Book Signing/Book Giveaway at Metropolis Public Library
317 Metropolis Street, Metropolis, Illinois




Mary Connealy is giving away free copies of Montana Rose:

Wednesday, July 22nd, at Erica Vetsch's blog, On The Write Path, talking about phobias and fiction.

Thursday, July 23d, at Bustles and Spurs, talking about Montana Rose.






Random Weekend News





  • Those of you who know former RWA president Janis Reams Hudson may be interested in donating books to her book raffle. For details click here.



And finally some fun on the romance entertainment front:

Lots of romance entertainment at the movies and on DVD!


or this TV show on the Lifetime Channel

If you don't have cable ( I don't!) you can watch full episodes here--on your laptop or desktop.

Or if you love the Love Comes Softly Series, check out the new release to DVD, Love Takes Wing.




P.S. Since Pepper mentioned Pride and Prejudice and Zombies, you can take your chance on winning a copy at Sukos Notebook.


Friday, July 17, 2009

Baby steps on the Write Path~Pepper Basham

I’ve been telling stories since I was eight years old…and some of them were true. All those imaginary friends I kept tucked away in my closet, under my bed, or inside my light fixtures came out at the oddest times and created the most amazing stories that no one believed except me. Of course, as I grew up, I modified the stories a bit, the imaginary friends developed into more three dimensional beings, and finally weaseled their ways into novels.

When I was 19 I finished my first novel and knew it was brilliant (of course, to most 19 year olds, everything they accomplish is brilliant). The only other people who read that brilliant book were my two best friends, and they did it out sisterly compassion. Ten years later I would add the ‘craft’ of writing to my passion for it. Now, as a professional, pastor’s wife, and mom of five, I wonder how on earth I’ll fulfill the dream to create memorable stories. Fortunately, God reminds me that everyday I’m living them.

Recently, in the middle of one of those chaotic ‘why-am-I-here’ moments, I asked God what He wanted me to do with my writing. I have five unpublished novels on my computer, a growing pile of rejections, and an increasing awareness of how much I still have to learn about the art of writing. Fumbling through the five books I’m currently reading, I picked up The Fire in Fiction by Donald Maas and reread the Introduction (yes, I actually read those – I know, I’m a geek). Though the book isn’t written from a Christian world-view, he makes a poignant implication.

There are two types of authors: status seekers and storytellers.In short, status seekers are authors whose bottom line is publication, publicity, and payment. What can I get from this book? Storytellers are concerned with consistently telling a good story. They look to themselves to make the story fantastic instead of others to make it saleable.
Why do you write? Why do I? To be honest, most people think I’m close to insane because I write novels in what little spare time I etch into my life, but I can’t help it. I have stories to tell. It’s the itch I can’t scratch unless I get it on paper…into words.

If God has given us a story to write, then we must write it; and because we are called by His name, anything we do should be a reflection of Him. Donald Maas’ question carries more gravity for the Christian writer, because we bring the only true Hope to the world through our stories. It’s writing with an amazing mission.
Storytelling has been going on for thousands of years and the greatest Storyteller of all shared truth through stories. He’s our mentor, example, and inspiration. He is where I find my encouragement, when I’m looking at another email which politely rejects my novel forged through blood, tears, and peanut-butter & jelly sandwiches. Knowing God has placed this specific desire and calling on my life, gives me strength when I have to write dialogue on a dinner napkin at the restaurant because it’s the only chance I’ll have to write that day. Trusting in His timing, I keep sneaking writing books into my ‘private room’ while five kids beat on or slip notes under the door until I emerge.

So, I must write. There are stories I have to tell, characters readers need to meet, and lessons about God people have to learn…and someday, the hard work, wondering, daydreaming, and late nights might end in publication. Even if they don’t, I’ll still tell stories. I just can’t leave my poor imaginary friends wandering about my fictional dream on their own. And in the meantime, between this unpublished dream and the possibilities, I’ll take baby steps toward learning more about the craft and art of writing.
As my agent reminds me, “Becoming a published author is a marathon not a sprint,” so I’m going to enjoy the scenery along the way and pick up a few more imaginary friends…maybe even some real ones. God’s plans and timing are perfect. The desires and stories He places on our hearts serve a purpose, and whether that purpose is to bless thousands or just ourselves, it provides exactly what it was supposed to…and (to quote an old Keith Green song) “Jesus takes care of the rest.”
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
As an aspiring author, mom of five, speech-language pathologist, and pastor's wife, my life stays pretty chaotic. It's good to know that God holds me in His very capable hands. He must have a good sense of humor too.
Pepper Basham
"Fan into flame the gift of God which is in you..."

Thursday, July 16, 2009

Talking to Editors and Agents at conferences

Camy here, talking about pitching (both formal and informal) since many of you are probably at the Romance Writers of America National Convention right now!

I'm not a natural extrovert, but I force myself to be one at conferences in order to meet writers, editors and agents. I want to present a professional demeanor and make a good impression.

That's kind of hard to do when my mouth has suddenly become the Mojave desert and my legs have rooted through my Nine Wests into the floor.

These are tips for when you’re at a group meet-and-greet, or standing in the hallway, or waiting in line—any informal setting when you spot an editor/agent you’d like to talk to.

Some of these tips will also work in the more controlled editor/agent appointment sessions, too.

Smile

Go on, force your mouth to stretch out and up. From my psychology classes, I know that just the action will make you feel better and help you relax.

Buddy up

There's nothing wrong with asking a friend to walk with you as you approach Agent X. Agents and editors are not monsters, nor do they bite. Many of them are not extroverts, either. They understand the nervousness of meeting someone new, especially if it's someone you WANT to meet. Your buddy doesn't have to do much more than stand there and smile. If the agent or editor asks, they can mention they're there for "moral support" and most people will understand.

Keep it simple

"Hi, my name is Betty Bestseller. Do you have a moment? Could I tell you about my book?"

Until you become more comfortable meeting editors and agents, you don't need to try to go with the very professional-sounding rehearsed speech you agonized over in front of the mirror. Be polite and to the point.

Use props

One-sheets are tastefully laid-out single pages with short 30-second blurbs (that usually translates into two paragraphs) about your work(s) in progress. They also tend to have a digital headshot and a one-paragraph bio of you. Not all agents and editors will accept them--they have different views about taking home anything more than business cards from writers--but you can use one to pitch your WIP. Agents and editors don't mind if you read off your one-sheet. They'd prefer that over you stuttering, backtracking, and confusing them with a memorized blurb.

If you'd like an example of a one-sheet:
http://dineenmiller.com/DineenMiller/D.G.Graphics.html (Dineen’s having hosting problems so her website might take some time to load. She used to work in corporate as a professional graphic designer, and now she designs writers’ one-sheets for very reasonable prices—like 1/10 what she’d charge in corporate. Her design work is fabulously striking and has garnered editor and agent attention at conferences.)
http://www.marydavisbooks.com/onesheet.php
http://www.ambermiller.com/promosheet.html

Be polite

When you finish and ask, "Is this something that might interest you?", if they say "No," then for heaven's sake don't sprinkle onto the floor like a crumbled scone or throw a hissy fit. Smile, say, "Thank you for your time," and leave it at that.

On the flip side, if they say, "Yes, please send me your proposal," don't let loose your prize-winning hog-call from the last county fair. Smile, say, "Thank you for your time!" and hand them your business card. They will probably hand you theirs.

Debrief

Right after you walk away from the editor/agent, write the title of your WIP (if you have more than one) on the back of their card so you know what you pitched, and any other pertinent information the agent/editor might have given so you don't forget.

On a side note, don't lose that card. It's extremely unprofessional to be asking on writers loops, "Does anyone have So-n-so's information? I lost their business card..."

I'm sure my Seeker sisters have other tips, so comment and add to this list!

Camy Tang writes romance with a kick of wasabi. Her novels Single Sashimi and Deadly Intent are out now. She runs the Story Sensei critique service, is a staff worker for her church youth group, and leads one of the worship teams for Sunday service. On her blog, she gives away Christian novels every week and ponders frivolous things. Sign up for her newsletter YahooGroup for monthly giveaways!

Wednesday, July 15, 2009

Research a contemporary novel?



Good morning Seekers and friends,
Pour yourself a cup of aromatic chocolate velvet coffee or some blueberry herbal tea and lets talk researching the contemporary novel.



Research? A contemporary? Wouldn't you simply write what you know from experience? Don't we already know the styles for clothing, the types of transportation, the currant issues? Why do you need to research?

Good questions. (of course they are since I wrote them myself LOL)

But on to the point. Contemporary novels benefit from research. It is as important for a contemporary as for a historical novel to have your facts and information on target. Researching for any novel gives you the additional advantage of extra material to strengthen, develop and embellish your plot.





For example, in my first novel published, the hero was a storm-chaser. (Remember I was published in the eighties and after losing all three editors I went back and finished teaching--a God thing, but if you are serious about a writing career don't ever do that. When you come back you're on unpubbed island and starting over-sigh). Back to the topic. I did a lot of research on storm-chasers and it gave me so much information to create plot twists and deepen the character.





In another novel, Love's Miracles, the hero was a VietNam veteran so I had to do a lot of research on the war and how it affected veterans. I was in Tahoe area that summer and at the local RWA meetings I met up with a psychiatrist from the Veteran Hospital in Reno. She was invaluable in giving me crucial information. On top of that, I fortunately decided to find a marine to read the male pov and he informed me that I had a lot of terminology wrong and also I had the hero jet crashing "behind enemy lines" which turned out to be a WWII expression and definitely not a VietNam War term. So I was able to change those errors. The book won several awards and I'm positive it was because of the authenticity of the research.






Another time research proved crucial was in my novel Dream Song. The heroine was part Navajo and had returned to the reservation seeking her roots. I had been training teachers on the reservation that summer so felt I had done enough research, but when had a friend of the Navajo nation read the book, she found some subtle problems. For example, I had a "what I thought" romantic scene where the heroine was waiting for the hero and her hair was flowing in the breeze. Sounds romantic doesn't it? Well, my friend informed me that the traditional young women always keep their hair pinned up unless they are mourning. That fact certainly killed the romance.

You can see how it helps to find people in the career you are portraying. A friend of mine who writes suspense, goes on ridealongs with the local police department. I went to several women's bicycle races and actually participated when writing my wip where the heroine is a bicycle racer.

Other ways I've found to authenticate and research novels is to actually go on site. For example, I have a wip set on a steamboat cruise up the Mississippi. Wasn't that fun to research? I actually went on the cruise and interviewed all the crew. Now if that wasn't a "Peyton Place" experience? (I know, I'm really dating myself with the reference to Peyton Place.)










My aunt and uncle have a cabin on a remote island in Puget Sound where I have had the privilege to visit. The area is so unique, I set one of my wip's on a similar island. An editor turned that wip down because she said the setting was too unrealistic and insisted there were no such things as refrigerators that worked on propane. Yikes. I guess I did my research too well on that one.






Research is my favorite part of starting a novel. I'v been accused by family and friends of being a perpetual student. In fact, I just completed a course at Mesa Community College on developing a website. In that class I learned more info about our latest source of research information and that is the Internet.

Do you remember the days when we used to go to the library to do our research? Dating myself again, but I still do love to go to the library. But you don't need to go anymore. So much information is available at our fingertips through the Internet.

There are some precautions. Not everything on the Internet is authentic, true or real. Many sources of information have no checks like traditional publishing has. Newspapers, encyclopedias, most things published could be relied upon to be authentic and truth. Too many legal actions can be taken against a publisher who publishes false information. There are no such checks and balances on the information available on the Internet. Anyone can publish anything.





For example, I learned in class is that wikipedia is not a reliable source. Anyone can add to, change or take out information. So there is no check like publishers do to insure authenticity of the sources of info.

Another example: I was teaching my class how to research animals on the Internet and we looked up dolphins. Up comes plenty of terrific info on dolphin animals, but also the Miami Dolphins, and then one pops up claiming that dolphins were the race ruling the universe. Oh my.

My instructor informed us that if the site ends in .org or .edu it has a better chance of being authentic. Although some .edu addies include students inputting information that could be false. Most universities provide public access to their libraries via the Internet. If you have a university close by, call and ask for a tour. I arranged for all my local writing groups to tour Arizona State University's library. They provide a terrific tour and even serve lunch. It is part of their way to show they serve the community. So check it out. On this tour, they showed us how to access the library resources on the Internet available to the public and also how to interchange with other universities. It is a worthwhile trip.






The best thing to do when looking up info on the Internet is to check the sources of info, the authenticity of the source, references to the source, etc. In other words don't take for granted that something you read on the Internet is authentic.

One thing that helps is to narrow the search. If you google a topic, you could end up with thousands of sites. But if you do a directory search, it narrows the search and the sites are usually more reliable. To do a directory search, go to the google search page and click on advanced search. On Yahoo click on search. A page comes up with only the search window. Next to the word search you'll see options. Click on options and then click on advanced search. If you fill out the criteria in advanced search, you will narrow your results considerably.

How many times have you received information forwarded? Often it sounds real, but is it? I'm talking about things that purport political, religious and social views? Don't just take it for granted that it is true even if it comes from a trusted friend. Often they received it and are simply forwarding it along? There are sites to authenticate this information. One I use is: www.snopes.com.

Let's review.
1. Research setting, careers, social conditions, and events to deepen plot and characters.
2. Find people with experience in career or situations you are portraying. Interview them and/or have them proof your wip
3. Visit sites similar to your settings
4. Use the Internet, university and library
5. Authenticate your information

Whew. This has made me hungry. How about some island fare? We're traveling along the Washington coast so I'm in the mood for steamed clams, oysters plucked off the low tide rocks and grilled over hot coals and how about some fresh crab? I won't even go into how that is prepared or you would never eat another bite of crab. Some fresh salt air and hot french bread smothered in garlic butter will hit the spot.



Oh and since I did just finish my website class, I do have my new site for my children's books up and running. Now mind you, I haven't taken the artistic part yet. That is for next semester. But I'm so impressed that I know html now that I simply have to brag. Check it out. Children's Books by Sandy.

And speaking of not taking the artistic class yet, I really wanted to get some great pictures to go with my post.  We have so many creative and artistic Seekers. Don't you agree?  I tried, but got so frustrated and worried about copyright that I finally ditched the plan and put photos from our summer travels.  The two ocean shots are here in Ocean City, Washington where we are camped.  Can you guess the rest?  Whoever guesses all of the famous sites will win a surprise announced at 8:00 pm Pacific Daylight Time tonight. (Hint-all but one are national parks)

Thanks for visiting us today and have fun doing that research.







Tuesday, July 14, 2009

Myra’s WIP Management Tips

Through my 25+ years as a writer, I’ve tried all kinds of lists, charts, and plotting aids to help me keep up with the characters and story lines in my work-in-progress. My latest experiment seems to be working well for me--an Excel workbook containing a variety of worksheets that cover everything from goal/motivation/conflict to chapter-by-chapter plotting to the names of every character in the book. Here’s how I use it:

When I’m starting a new book--and once I have at least a general idea who my characters are and the central conflict they’ll be facing--I start thinking in terms of each character’s GMC. Using the chart below, I fill in the heroine’s and hero’s names, then determine each one’s basic goal (character wants/needs . . . ), motivation (because . . . ) and conflict (but . . . ).


Then it’s time to start plotting. I am a confirmed seat-of-the-pants writer, but I still try to use the next chart to help me at least get started on the story. Once the story takes off, I don’t always go back and finish filling in the chart, but I do refer often to the steps in the left-hand column, which I’ve adapted from Michael Hauge’s Six-Stage Plot Structure with inner and outer journeys. I’ve spread out the stages pretty much as I’d expect them to fall chapter by chapter, which helps me with pacing the story. You'll see only the first few stages in this screen shot.


Since reading The Moral Premise, I’ve added one more worksheet as a plotting aid. Once I can put my story’s moral premise into words, I think about how each character does or does not live live according to that basic truth, the event that will change the character, and how he or she approaches life after the change. Below is an example for the heroine of my upcoming Heartsong Presents novel Romance by the Book. At this point in the planning, I wasn’t sure what Sailor’s change event would be.


The worksheet I use most consistently is the calendar. I set it up to fit the time frame of my story, and then as I write each scene, I jot a brief summary of what happened on the appropriate calendar square. If I later revise a scene so it happens on a different day, I’m careful to make the change on the calendar as well. I also include key events that affect the characters but don't necessarily play out onstage. Keeping an accurate story calendar will pay huge dividends when your editor questions your timeline! Along with the previous worksheet, it’s also very helpful for writing your chapter-by-chapter outline or synopsis.


To keep track of all the characters in a manuscript--and to make sure I don’t have too many names starting with the same letter--I use the character name worksheet. I enter the character’s name twice on the sheet: once by last name, and once by first name, as shown below in the example.

I also like to track how many words I’ve written each day, and that’s where this next worksheet comes in. I’ve set it up so that all I have to do is enter the date and the number of words completed that day, and Excel automatically calculates the daily total and copies that figure onto the next line under “Start word count.” I manually type in the ending page number when I stop for the day.

No doubt these methods will continue to evolve the longer I'm at this business. If anyone is interested in giving my worksheets a try, I’d be happy to e-mail you the workbook file. Just let me know in the comments section and be sure you either include your e-mail address in the comment or are logged in so I can find your e-mail if I click on your name.

Remember, the key is to not become a slave to a bunch of spreadsheets, but to use only what is helpful at the time!

ADDENDUM 7/16/09: I may not get back to the comment section on this post again, so anyone who missed getting my novel planning Excel workbook and still wants the file, please e-mail me directly. You should find my contact info in my profile. Thanks for your interest!

Sunday, July 12, 2009

I'VE GOT A SECRET


Don’t we all love a secret?

That was the basis of a TV show of the same name, an offshoot of What’s My Line? A panel—Bill Cullen, Henry Morgan, Bess Myerson and Betsy Palmer—tried to ferret out the secret a guest whispered to host Garry Moore , later Steve Allen, later still Bill Cullen. The secret was revealed on the screen for viewers at home.

From the long run of the show, I’d say people love to be in on a secret. And were hooked to see how the panel will get to the truth.

Keeping secrets is part of being human. Until we trust someone, we tend to keep things to ourselves. Especially those things that'll make us look bad or bring pain to others. Readers of our books, being human, too, will understand a character’s need to keep a secret and sympathize. Or so we hope. I’ve used secrets in all three of my sold books. In The Substitute Bride, February 2010, the hero and heroine are both hiding something that carries a wallop.

The main purposes for adding secrets to our stories:

· To increase the twists and turns.
· To raise the stakes.
· To keep readers turning pages.

Bottom line: secrets cause trouble—exactly why I include them in my books.

TWO TYPES OF SECRETS

Secrets based on the past. Secrets or secret feelings based on a character’s back story create internal conflict between characters. In Julie’s A Passion Denied, John Brady keeps a secret of something that occurred in his past that prevents him from loving Lizzie. In Courting Miss Adelaide, Charles’s secret damages his relationship with Adelaide, with others and with God. Secrets keep characters from emotional intimacy. Love cannot bloom in the soil of distrust and self-reproach. There are ramifications when the hero and heroine keep secrets or are unable to face them that create trouble.

Secrets based on the present. These secrets provide external conflict for characters. In Courting the Doctor’s Daughter, Luke Jacobs hides his true relationship with Mary’s son. Mary suspects Luke’s hiding something, but over time, she begins to trust him. Luke’s guilt and worry about Mary’s reaction if she learns the truth are a huge external conflict that force him to keep emotional distance from Mary and impacts everyone in the book.

TWO WAYS TO USE SECRETS

Let the reader in on the secret. Most of us are disturbed when we see a friend whispers to another friend in front of us. We want to know what’s they’re talking about. What we’re missing out on. Or worse, are our friends talking about us? It’s fun in our books to let the reader in on the secret while keeping the main character/s in the dark. Hopefully the reader holds her breath, wondering what will happen when the heroine learns the truth. Keeping a character in the dark can be a useful plot device. An example of this is a scene from Gone With the Wind when the women sit stitching in Melanie’s parlor one evening aware their men are risking their lives to take revenge for the attack on Scarlet, yet trying to look as if all is normal. To add to the tension in what is a marvelous, suspenseful scene, Margaret Mitchell leaves Scarlet in the dark and fuming about her husband’s indifference to her safety.

Keep the reader in the dark. Keeping the reader in the dark will increase the suspense. This ploy is used all the time by suspense writers. The author can tease the reader. In Courting Miss Adelaide, I hint that Charles carries a secret, but don’t reveal what it is until the black moment.

Or the secret can come as a huge surprise. Though the reader should be able to look back and see that the secret explains a lot. In Charlotte Bronte’s Jane Eyre, Mr. Rochester keeps a humdinger of a secret. Just as Jane and Mr. Rochester are about to marry, Jane learns the horrible truth that her groom has a wife.

When a character keeps other characters in the dark, they’re upping the conflict.

Waiting for the fireworks is part of the fun, but make sure the secret carries a wallop—is life altering—or the reader might toss the book across the room.


WAYS TO UP THE STAKES WITH SECRETS.

Tie the secret to the book’s premise or theme.

In Courting Miss Adelaide, Charles’ secret is closely tied to Biblical command to forgive. He believes what he’s done is unforgivable, and if the truth comes out, it will tear his relationship with Adelaide apart. So he clings to his bitterness…and his secret. Until he’s able to face his past, forgive and reveal his secret, he can’t reach the point of forgiving himself and those who have hurt him. Only then can he move on with his life.

In Courting the Doctor’s Daughter, Luke’s secret keeps him from accepting God’s purpose for his life. But to reveal his secret, he must trust others. In the past, people have let him down so he can’t trust. Lying by omission backs him into a corner that destroys the very trust he needs.

Tie the secret to universal concerns everyone can relate to:

Secret baby, betrayal, sacrifice, bad decision stories tug at our heart strings, especially for the characters who are deceived, but also for those keeping the secret. The stakes have to be high enough that readers will put themselves in the character’s shoes and understand why the character is afraid to reveal his secret.

Tie the secret to something most people CANNOT relate to:

Most of us are appalled by certain behaviors. Those behaviors might range from cannibalism or incest to abuse or neglect. It might be better if the shocking secret belongs to the villain. Or the hero or heroine was the victim of the behavior.

The secret must make the happy ending look in doubt.

After the wedding scene in Jane Eyre, I doubted Jane and Mr. Rochester would get their happy ending. It was a long time coming, but well worth the wait.

I don’t want to leave the impression that all stories should have characters hiding something. The book I’m working on now doesn’t contain a single secret. At least, so far.

Do you use secrets when you're writing your books? If so, would you care to share how you use them and the impact they have?

I brought coffee, tea and apple fritters this morning. Nothing homemade. All my recipes are secret recipes. ;-)